This Week in Doonesbury: #MeToo Runs for Office.

On Sunday, March 4, Garry Trudeau began a storyline that brings together three themes that have been central to Doonesbury for many years: feminism and the political empowerment of women; the challenges facing American soldiers and veterans; and electoral politics.

Melissa Wheeler, a former army helicopter mechanic, asks Joanie Caucus for help with her political campaign. Melissa is running for office (exactly what she’s running for is left unsaid, but I’m assuming she’s gunning for a seat in the House of Representatives). Her platform is veterans’ issues: she wants to “make sure our our country does right by them.” One issue that is of particular interest to both Melissa and GBT is sexual assault in the armed services.

Melissa was introduced to readers in March 2007 as a fellow client at the veteran’s centre where B.D. sees his counsellor. Melissa allowed Trudeau to explore the ramifications of a phenomenon that goes largely unrecognized in the public sphere, let alone the comics page: she is a survivor of command rape – sexual assault at the hands of a superior officer. Trudeau’s sensitive and powerful recounting of Melissa’s story gave readers a glimpse of the systemic nature of rape culture in the military, and the ways in which the structures of military life facilitate sexual assault. Melissa’s experience shows us how the chain of command and the structures of military justice work to give men the opportunity to sexually abuse the soldiers under their command and to protect them from facing any consequences for their actions. Her commander gave her a choice between having sex with him or losing her position as a mechanic in favour of sentry duty; he then wrote her up for an infraction in order to make it look like any report she might make was an act of retaliation on her part; when she eventually decided to go to a superior, that officer talked her out of making a report by making her feel guilty about the implications for other soldiers if her assailant was removed from duty. Every step of the way, military structures worked to facilitate her being assaulted and to protect her assaulter.

202

Doonesbury, 20 July 2007

201

Doonesbury, 19 July 2007. She never had a chance.

In recent years, according to some reports, survivors of sexual assault in the military have been better able to report offences. Nonetheless, sexual assault in the military remains a serious issue: a quarter of all women in the service are sexually assaulted. That said, despite – or perhaps because of – the central role that the military plays in America’s self-image, sexual assault in the military has not been an area of principle focus in our #MeToo/#TimesUp moment, or at least, not to the extent that the entertainment, sports, media, and political spheres have.

The prevalence of sexual assault by powerful men has come to light in no small part because of the election of a self-declared serial sexual predator to the presidency. In response to Trump’s egregious crimes in specific and the abuses of powerful men more generally, the movement against rape culture is taking an increasingly political form. This political movement announced itself with mass protests by women following Trump’s inauguration (…and again on its one-year anniversary); it is now taking the form of a sharp increase in the number of women seeking political office at all levels, starting with the upcoming 2018 midterm elections.

And so, in keeping with the times, GBT has thrown Melissa’s hat into the ring. This isn’t the first time that he’s written about a woman’s political campaign. In 1976, Joanie cut her political teeth managing Ginny Slade’s campaign for a seat in Congress, a race that Ginny lost to Lacey Davenport. In 1980, Joanie went to work for Lacey’s reelection campaign. Ginny’s 1976 bid was feminist at its core: in her campaign launch speech, she pointed to “an insensitivity at the highest levels of government to the needs and rights of half of the citizens of this country – women” as a key reason for running. Forty-two years later, a political campaign focused on issues of critical importance to women is set to become part of GBT’s history of bringing feminist politics to the funny pages. Given the different contexts in which each character is rooted – the fact that Melissa was an army helicopter mechanic is due in no small part to the struggles of Joanie’s generation of feminist activists – the campaign could be interesting ground for Trudeau to explore the points of agreement, differing assumptions, and tensions within and between successive generations of feminist activists.

Ginny760324

Ginny announces her run. Doonesbury, 24 March 1976

JoanieLacey820901

Joanie’s second campaign. Doonesbury, 1 September 1982

My only disappointment with this development is the fact that, if Trudeau has permanently abandoned daily strips, this arc won’t get nearly the attention it deserves. Women stepping up to challenge a fundamentally anti-woman system and a fundamentally anti-woman president represents a critical development in American politics; I would be thrilled to see GBT chronicle that in a more extended manner.

RickJoanieMelissa

Rick knows what buttons to push. Doonesbury, 4 March 2018

A quick note about one the presence of one of my favourite Doonesbury characters in the strip. We begin with Joanie putting her partner Rick in his place by telling him that B.D.’s friend who will be dropping by is an “army helicopter mechanic,” and not the “campus snowflake” that Rick had assumed was coming by. Rick redeems himself by the end of the strip. He observes Joanie’s conversation with Melissa with a look that says that he’s impressed by the younger woman. When Joanie attempts to beg off helping on the campaign because she believes she’s too old to undertake the commitment, Rick’s strategically-delivered smart-ass comment gets Joanie to overcome her reticence and do the right thing.

This November, if there’s one on your ballot, please vote for a woman who’s committed to using political power to challenge systems that foster and protect sexual abusers.

This Week in Doonesbury: Mental Health in the Age of Trump

I’m not going to write about myself very much in these pages, but I will note here that I read this week’s Doonesbury strip through the lens of my own mental health issues, namely a case of generalized anxiety disorder that I’ve been carrying around for quite a while. Things got really bad earlier this year on this front and I’m working on putting them back together.

TWIC16July

You’ve been there too.

As I’ve been reading, listening, talking and learning about mental health, I’m beginning to understand how mental health is not simply about what’s happening in a particular individual’s brain. Our mental health struggles and the discourses that shape them play a key role in determining how we can live and enjoy our lives; they can also be read as symptoms of the larger issues that affect a society, or parts of it. Like with physical health, mental health outcomes reflect broader political, cultural, environmental, and economic dynamics. Race, class, gender, sexuality: categories like these play big roles in determining the state of a person’s mental health and in how their mental health issues will be diagnosed and treated (or not diagnosed/left untreated).
Today as I began drafting this post, the comics artist Lauren Weinstein posted this sketch on Twitter :

LaurenWeinstein
This comic and GBT’s 16 July offering both deal with a key dynamic shaping mental health outcomes for people today: a widely-shared sense among diverse elements of society that we are fast approaching a crisis point that may well be existential in nature. I recently asked a grad student in psychology if she knew of any studies linking Trump’s election to an increase in people seeking mental health care. She didn’t, but she thought it would be a great topic to research. In reality, while there’s plenty of anecdotal evidence to go around suggesting that we are having a collective mental breakdown caused by the Trump presidency, the fears and anxieties I’m talking about did not originate with the campaign and eventual election of Donald Trump; the optimism for the long-term well-being of humanity that bloomed with the end of the Cold War long ago died a death by a thousand cuts dealt by terrorist attacks, illegal wars, bloody occupations, and torture regimes, all unfolding on a planet getting too hot to sustain human beings. That said, the dawn of Trump’s America has played a huge role in amplifying those feelings and intensifying their contagion. And it must be noted that the fears and anxieties that have become seemingly more widespread and intense over the past year or so are felt especially acutely by people who occupy more fragile positions in our society: women, people of colour, LGBT people, migrants. Some of us are already closer to that crisis point than others. At the end of the day, however, we are all the child in Weinstein’s dark vision, staring blankly at the Thing That Will Kill Us All But We Can’t Do Anything About. We are all, as Trudeau says this week, B.D., looking to a trusted authority to tell us what the hell is going on.
On a less abstract level, B.D.’s regular check-in with his therapist Elias cracked me up for two reasons. First, the two-panel “throwaway” gag that starts the strip. This is me and a lot of people I know, afraid that we’ll miss out on the Next Big Revelation while we’re away from our phones. Trump news is like heroin to us, and, like any dope fiend, we need to make sure we have our next fix lined up.
Second: The rest of the strip. I have had pretty much this exact conversation with my psychiatrist.
Thanks to Lauren R. Weinstein for permission to reproduce her work; check out her comic Normel Person on the Village Voice website.