In September 1971, Playboy interviewed cartoonist Jules Feiffer, whose work had been a regular feature in that magazine (and the Village Voice) since the mid-1950s. While Feiffer didn’t say much about recent developments in comics, readers leafing through their copy would have encountered a trio of comic characters who were familiar to anyone reading the … Continue reading “A Bad Time to Be Weird”: Comics at the Dawn of the Comix
“Mocking Constituted Authorities with Bitterness and Fury”: The Comix and Underground Newspapers
This is the second of a series of posts where I’m digging into the history of 1960s/1970s underground comix: it’s a history I’ve always been curious about on its own terms, but I’m also exploring underground comix in order to better understand how Doonesbury reflected and drew upon critical developments in comics happening around the … Continue reading “Mocking Constituted Authorities with Bitterness and Fury”: The Comix and Underground Newspapers
Doonesbury and the Comix, Part One: “Pigs and Nixon” (The Politics of the Undergrounds)
Around the time of Doonesbury’s October 1970 debut, the Christmas edition of Playboy was on newsstands. The interview that month was with the poet Robert Graves, who predicted that a new culture of sexual liberation that “violates the moral principles on which the state is founded” would lead to “a sharp increase in homosexuality and … Continue reading Doonesbury and the Comix, Part One: “Pigs and Nixon” (The Politics of the Undergrounds)
This Week in Doonesbury: “Still a Few Bugs in the System,” or GBT Does NFTs
I have a Google alert that notifies me when there’s news about Doonesbury or Garry Trudeau. Last week, the app sent me an ad for an auction of a series of Doonesbury-branded NFTs, or non-fungible tokens. NFTs, simply put, are a kind of exclusive electronic “print” of a piece of artwork, and they are a … Continue reading This Week in Doonesbury: “Still a Few Bugs in the System,” or GBT Does NFTs
“Sickening Acts of Total Insanity” : Hunter Thompson, Duke and Garry Trudeau (The Gonzo Chronicles, Part X)
Since reanimating this project, I’ve focused on Duke’s time abroad, first as a colonial administrator in American Samoa and then as American ambassador to China, examining his symbolic role in Doonesbury. Beyond his original appearance as a caricature of Hunter S. Thompson, Duke personifies the selfishness, cynicism, and greed that increasingly defined American culture as, … Continue reading “Sickening Acts of Total Insanity” : Hunter Thompson, Duke and Garry Trudeau (The Gonzo Chronicles, Part X)
“Have a Nice Day, John Mitchell”: Kent State and the Cartoon Activism of Garry Trudeau
Last week marked the 52nd anniversary of the Kent State massacre. Garry Trudeau’s strips about the tragedy (which happened about six months before Doonesbury debuted) marked an important step in his early development as a cartoonist. For the first time, Trudeau engaged in a style of activist cartooning that was explicitly political, intentionally devoid of … Continue reading “Have a Nice Day, John Mitchell”: Kent State and the Cartoon Activism of Garry Trudeau
Perceptions So Frank and Candid They Were Practically Classified: Garry Trudeau in China (The Gonzo Chronicles, Part IX)
Nineteen-seventy-five was a good year for Garry Trudeau. Doonesbury was featured on the cover of Rolling Stone, and GBT became the first comic-strip creator to win a Pulitzer Prize for editorial cartooning. Growing appreciation for Trudeau’s work landed him a spot on the cover of Time in February 1976. Winning the Pulitzer wasn’t Trudeau’s only … Continue reading Perceptions So Frank and Candid They Were Practically Classified: Garry Trudeau in China (The Gonzo Chronicles, Part IX)
The Gonzo Chronicles, Part VIII: “Automatic Weapons Fire Is the Overture.”
Welcome back. Let’s look at two episodes from Duke’s time in China, each of which engage with the politics of cultural expression in the context of China’s emergence from the Cultural Revolution. The first arc deals with Chinese opera; the second with the unexpected appearance of an American pop song at a Beijing function. *** … Continue reading The Gonzo Chronicles, Part VIII: “Automatic Weapons Fire Is the Overture.”
“In a Way, I’m Sort Of Running the Country.” The Gonzo Chronicles, Part VII: Introducing Honey
One of Doonesbury’s most complex characters first appeared on 22 January 1976. Honey Huan, Duke’s translator during his time as U.S. Ambassador to China, was everything her boss wasn’t: smart, competent, and politically savvy, Honey shepherded Duke through the minefields of Chinese politics, and became Duke’s long-time accomplice in schemes as varied as an organised … Continue reading “In a Way, I’m Sort Of Running the Country.” The Gonzo Chronicles, Part VII: Introducing Honey
“Independence, Self-Reliance and Millet. Plus Rifles”: Duke and China’s Foreign Policy. (The Gonzo Chronicles, Part Six)
Last time out, we looked at how Duke’s time as ambassador to China provided a window into the inner workings of Chinese domestic politics as the country came to terms with the passing of the first generation of Chinese Communist Party leadership, culminating in the political rehabilitation of Deng Xiaoping. As Duke stumbled through the … Continue reading “Independence, Self-Reliance and Millet. Plus Rifles”: Duke and China’s Foreign Policy. (The Gonzo Chronicles, Part Six)
Reading Doonesbury 