In 1984, I was a first-year student at John Abbott College in suburban Montreal. In my last year of high school, I had heard about a John Abbott English teacher named Rod Smith, who taught a course titled “The Vision and the Apocalypse," which focused on books and films that came out of, or dealt … Continue reading The Duke Chronicles, Part I. “That Place Where the Wave Finally Broke and Rolled Back”: Reconciling Duke and Hunter S. Thompson.
Recently, I watched Studio 54, a documentary film by Matt Tyrnauer that chronicles the rise and fall of the famed Manhattan discotheque that was the hottest spot in New York City in the 1970s. In its heyday from 1977 – 1979, the club, owned by Steve Rubell and Ian Schrager, attracted crowds that included A-list … Continue reading “Where a Man is Judged by His Moves”: Doonesbury Goes Disco
Last year, I decided to re-read the complete run of Doonesbury and write about the strip in order to better understand both Trudeau’s work and its times and to start learning about the language and aesthetics of comics more generally. A year later, I’m about halfway through the strips (I just finished 1997), but I’m … Continue reading Selling Reagan to Black Voters: Doonesbury in the 1980s
On Sunday, March 4, Garry Trudeau began a storyline that brings together three themes that have been central to Doonesbury for many years: feminism and the political empowerment of women; the challenges facing American soldiers and veterans; and electoral politics. Melissa Wheeler, a former army helicopter mechanic, asks Joanie Caucus for help with her political … Continue reading This Week in Doonesbury: #MeToo Runs for Office.